Bloom

Zils, Harald: Autonomie und Tradition. Innovativer Konservatismus bei Rudolf Borchardt, Harold Bloom und Botho Strauß. Epistemata : Reihe Literaturwissenschaft Band 678. Würzburg : Königshausen & Neumann, 2009. ISBN: 9783826041105
Tadelloses Exemplar. - Geselligkeit und Abscheidung - Rudolf Borchardts Reden als Nachgesänge der Tradition - Einführung: Der Redner Borchardt - "Erbrechte der Dichtung" - "Rede über Schiller" - "Schöpferische Restauration" - Synopse - Dichtervortrag und kulturkonservativer Essay im Kontext der zwanziger Jahre - Der Dichtervortrag: Gattungsveranstaltung, Veranstaltungsgattung - Rede und Essay - Gattungsbestimmung des Dichtervortrags - Der ästhetische Diskurs des Bildungsbürgertums nach dem Ersten Weltkrieg - Borchardts Dichtervorträge als rituelle Bewältigungen der Gegenwart - Sehnsüchte, Bedürfnisse, Bewältigungen: Bürgerliche Bildungsökonomie in der Notzeit - Nachbardiskurse des Dichtervortrags - Der Dichtervortrag als bürgerlicher Ritus - Mandate, Surrogate: Extrapolation zum Dichtervortrag in der Bundesrepublik - Die Tradition überschreiben - Harold Bloom und die Verspätung als Daseinsform - Vorüberlegungen - Jorge Luis Borges, Autor des Miguel Cervantes - Der Kritiker als Autor des Mythos - Literaturgeschichte als Schicksal - Lesen, Erben, Wiederkehren - Tradition, Kanon, Macht - Was ist ein Kritiker? - Die revisionary ratios - Schritte zum System, - A map of misreading - Von der Sequenz zum Tableau - Vor dem Gedicht - Selbstbestimmte Tradition: Das metonymische Alias des Harold Bloom - Im Clinamen des Vaters - Harold Bloom findet Begriffe - Krankheiten zum Tode - Adressbuch des Mikrokosmos - Harold Bloom nennt Namen - Urszene: Der Kritiker als Führer - Das Versprechen des Kritikers: Bloom und die Bildungslandschaft der USA in den siebziger Jahren - Beweis durch Enthauptung - Botho Strauß in Streit und Vertreibung - Der Feuilletonskandal der neunziger Jahre - Der Skandal als definiertes Ereignis - Analyse der Provokation: Der "Anschwellende Bocksgesang" - Traditionell autonome Tradition: Der "Bocksgesang" und die Linie des Kulturkonservatismus - Autonome traditionelle Autonomie: Der Sündenbocksgesang - Tagebuch der Reaktionen - Vereinzelte Vorklänge - Die Debatte in den Feuilletons - Einige Nachklänge - Vom Bildungsbürger zum Bandenbilder: Der Schauprozeß als moralische Veranstaltung - "What's going on?" - Thesen zum innovativen Konservatismus des Rituals - Konkordanz zum "Anschwellenden Bocksgesang" - Literaturverzeichnis. ISBN 9783826041105 - , ISBN: 3826041100

277 S. , kart.

[SW: Borchardt, Rudolf, Dichtung, Konservatismus, Harold Bloom, Botho Strauß]

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William Faulkner (Author), Harold Bloom (ed.) Illustrator: NA: The Sound and the Fury: (Viva Modern Critical Interpretations) Viva Books 2010 ISBN: 9788130906676

New Softcover NA The sound and the Fury, William FaulkneraEUR s fourth novel, was his first attempt at a wholly self-conscious style. FaulkneraEUR s willingness to experiment affords his readers no stable perspective from which to comprehend the decline of the Compson family. The informative title is filled with new critical essays on FaulkneraEUR s masterpiece... We read The Sound and the Fury and we hear a tale signifying a great deal, because Faulkner constitutes for us a literary cosmos of continual reverberations. Like Dilsey, we too are persuaded that we have seen the first and the last, the beginning and the ending of a story that transcends the four Compson children, and the squalors of their family romance. -Harold Bloom Since [its publication] this brilliant, difficult work has continued to attract more critical attention than any other single Faulkner work, and its popularity seems unlikely to fade. -Emily Auerbach VIVA MODERN CRITICAL INTERPRETATIONS presents the best current criticism on the most widely read and studied poems, novels, and dramas of the Western world, from Oedipus Rex and The Iliad to such modern and contemporary works as Wiliam FaulkneraEUR s The Sound and the Fury and Don DeLilloaEUR s White Noise. Each volume opens with an introductory essay and editoraEUR s note by Harold Bloom and includes a bibliography, a chronology of the authoraEUR s life and works, and notes on the contributors. Taken together, VIVA MODERN CRITICAL INTERPRETATIONS provides a comprehensive critical guide to the most vital and influential works of the Western literary tradition.Contents: Introduction - Harold Bloom- Harold Bloom aEURc The Composition of The Sound and the Fury - Gail M. Morrison aEURc Rev. ShegogaEUR s Powerful Voice - Stephen M. Ross aEURc An Easter Without Resurrection?- Andre Bleikasten aEURc "If I Could Say Mother": Construing the Unsayable About Faulknerian Matenity - Philip Weinstein aEURc All Things Become Shadowy Paradoxical - Daniel Joseph Singal aEURc Caddy and the Infinite Loop: The Dynamics of Alcoholism in The Sound and the Fury - Gary Storhoff aEURc "I Have Sinned in That I Have Betrayed the Innocent Blood" aEURc QuentinaEUR s Recognition of His Guilt - Margaret D. Bauer aEURc Themes in The Sound and the Fury - Thomas L. McHanet aEURc Reading Red: The Man with the (Gay) Red Tie in FaulkneraEUR s The Sound and the Fury - Michelle Ann Abate aEURc Crowd and Self: William FaulkneraEUR s Sources of Agency in The Sound and the Fury - Jeffrey J. Folks aEURc Chronology aEURc Contributors aEURc Bibliography aEURc Acknowledgments aEURc IndexIntroduction- Harold Bloom Printed Pages: 238. First edition

[SW: Sound and the Fury: (Viva Modern Critical Interpretations)William Faulkner (Author), Harold Bloom (ed.)9788130906676]

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Bloom, Barbara, [ Barbara Bloom, Dave Hickey, Susan Tallman ]: The Collections of Barbara Bloom, Göttingen / New York, Germany / NY: Steidl / International Center of Photography, 2007 ISBN: 9783865216212
Collecting

cloth boards with dust jacket 30 x 25 cm; sewn bound; color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held January 18 - May 4, 2008. Essays by Dave Hickey, Susan Tallman. "This volume assesses a wonderful body of work that encompasses installations, films, artist's books and specimens from the artist's vast archives of ephemera. Like Marcel Broodthaers and Susan Hiller, Bloom has a creative attraction toward taxonomy and museology: the installation 'Greed' (1988), for instance, is comprised of a chair, an empty frame and a photograph of a museum gallery with a seated guard. An example of one of her own collections is a complete set of Vladimir Nabokov's writings for which Bloom redesigned all of the book covers, referring both to herself and Nabokov as collectors (he obsessively collected editions of his own books) and in the process interposing herself as artist. In some cases, Bloom revisits previous installations to add new elements, resisting and upsetting the orderliness of a conventional artistic chronology. The Collections of Barbara Bloom includes essays by Dave Hickey and Susan Tallman and expands a project developed as part of Bloom's Wexner Art Center Residency Award in 1998. "Born in Los Angeles in 1951, Barbara Bloom is a renowned conceptual artist whose intricately crafted installations and witty artist's books have been exhibited internationally. She attended Bennington College in Bennington, Vermont, and studied with John Baldessari at the California Institute of the Arts in Valencia, California. She has had one-person shows at the Serpentine Gallery, London (1990), the Wexner Center for the Arts, Columbus, Ohio (1996), and The Museum of Contemporary Art, Los Angeles (1998). She lives in New York City." -- publisher's statement. 269 pp. Fine. In publisher's shrink-wrap.

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W. Shakespeare (Author), Harold Bloom (ed.) Illustrator: NA: Othello: (Viva Bloom's Notes) Viva Books Private Limited 2010 ISBN: 9788130904719

New Paperback NA Let Yale University professor Harold Bloom aEUR" author of The Western Canon and a leading authority on literature aEUR" help develop your understanding of the worldaEUR s great literary works. Unlike other study guides, Viva BloomaEUR s Notes offers a wide selection of critical analyses by renowned scholars, as well as concise biographical and bibliographical information and a comprehensive thematic discussion of the plot aEUR" all in one handbook. INCLUDES: aEURc Introduction by Harold Bloom aEURc AuthoraEUR s biography aEURc Thematic and structural analysis aEURc List of characters aEURc Extracts of major critical essays aEURc Extensive bibliography aEURc Index of themes and ideas The ideal aid to all students, Viva BloomaEUR s Notes is a definitive guide for independent study and a single source for footnoting essays and research papers. Contents: EditoraEUR s Note aEURc Introduction aEURc Biography of William Shakespeare aEURc Thematic and structural analysis aEURc List of characters aEURc Critical Views aEURc Thomas Rymer - The implausible character in the play aEURc Samuel Johnson aEUR" The greatness of the play aEURc William Hazlitt aEUR" Characters and dramatic tension in the play aEURc Samuel Taylor Coleridge aEUR" Negroes and moors aEURc A. C. Bradley aEUR" LagoaEUR s motivations aEURc Wyndham Lewis aEUR" Othello as colossus aEURc Kenneth Burke aEUR" DesdemonaaEUR handkerchief aEURc S. L. Bethell aEUR" Diabolism in the play aEURc W.H. Auden aEUR" Lago as knowledge aEURc K. W. Evans: OthelloaEUR s marriage aEURc Stanley Edgar Hyman: Lago as slighted homosexual aEURc Leslie A. Fiedler aEUR" Cassio aEURc Ruth Nevo aEUR" LagoaEUR s hostility to Othello aEURc Susan Snyder: DesdemonaaEUR s Love for Othello aEURc John Bayley aEUR" Love and sex in the play aEURc Carol Thomas Neely aEUR" The Contrast between men and women in the play aEURc Anthony Hecht aEUR" The Christianized moor aEURc Edward Bery aEUR" Othello and racism aEURc Julia Genster aEUR" Power in the play aEURc Derek Cohen aEUR" OthelloaEUR s Suicide aEURc James R. Aubrey aEUR" Monster imagery and racism in the play aEURc Works by William Shakespeare aEURc Works about William Shakespeare and Othello aEURc Index of Theme and Ideas Printed Pages: 88. First edition

[SW: Othello: (Viva Bloom's Notes)W. Shakespeare (Author), Harold Bloom (ed.)9788130904719]

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