Flemish Tapestry

Studies in Western Tapestry SWT 1 Flemish Tapestry in European and American Collections Studies in Honour of Guy Delmarcel: Studies in Western Tapestry SWT 1 Flemish Tapestry in European and American Collections Studies in Honour of Guy Delmarcel, Brepols ; fester Einband / hard cover ISBN: 9782503521749
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Studies in Western Tapestry SWT 1 Flemish Tapestry in European and American Collections Studies in Honour of Guy Delmarcel 232 p., 94 b/w ill. + 28 colour ill., 245 x 297 mm, 2003 ISBN: 978-2-503-52174-9 Languages: English Hardback The publication is available. Retail price: EUR 70,00 How to order? Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift. Contents : Rotraud Bauer, Zur Ikonographie der Tapisserienserie Die Sechs Weltzeitalter im Kunsthistorischen Museum in Wien; Maria Hennel-Bernasikowa, The Role of the Tapestries of Sigismund II Augustus in Polish Royal Ceremonies; Pascal-Francois Bertrand, Tapisseries de Flandres et autres tentures parmi les dessins d'archeologie de Roger de Gaignieres; Birgitt Borkopp-Restle and Andre Brutillot, L'Histoire de Saint Paul et ses additions. Une serie de tapisseries du Musee national de Baviere ; Iain Buchanan, The Tapestries Purchased by King Eric XIV of Sweden at Antwerp in 1560-1561. New Documentation; Thomas P. Campbell, The Story of Abraham tapestries at Hampton Court Palace; Ingrid De Meuter, Le peintre anversois Pieter Spierinckx (1635-1711), createur de cartons de tapisseries; Nello Forti Grazzini, Renaissance Tapestry and Italian Patronage; Wendy Hefford, Brussels Horsemanship tapestries owned by Charles I and Frederick Prince of Wales; Concha Herrero Carretero,Tapices flamencos en la coleccion de la Corona de Espana; Lucia Meoni, Gli arazzi fiamminghi nella collezione de'Medici ; Hillie Smit, New Data on the History of a Set of Scenes of Country Life "after Teniers" in the Rijksmuseum Amsterdam; Christa C. Mayer Thurman and Koenraad Brosens, Flemish Tapestries in the Collection of The Art Institute of Chicago. "Un veritable corpus qui fait honneur a Guy Delmarcel et suscitera sans aucun doute de nouvelles recherches." (L. Smolderen in Belgisch Tijdschrift voor Oudheidkunde en Kunstgeschiedenis, 73, 2004, p.97-98) Hardcover Buch

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Guy Delmarcel: Flemish Tapestry in European and American Collections ,Studies in Honour of Guy Delmarcel, brepols 2003
Professor Dr Guy Delmarcel was Curator of Textiles at the Brussels Koninklijke Musea voor Kunst en Geschiedenis (1975-1990) and Professor of History of Art at the Catholic University of Leuven (1981-2002). He passionately devoted his career to the study of Flemish tapestry. His intensive research on the 'Mobile Frescoes of the North' resulted in numerous articles, books, lectures, and exhibitions, thereby unlocking tapestry to both scholars and the general public. Guy Delmarcel has now been given emeritus status. The Department of Archaeology, History of Art and Musicology decided to honour its former chairman by offering him a Festschrift entirely dedicated to his beloved field of research. Fourteen renowned tapestry scholars from all over the world willingly accepted the invitation to celebrate their esteemed colleague. Throughout the centuries Flemish tapestry has eagerly been collected. In the Middle Ages and Early Modern Times the European elite spent fortunes on these lavish works of art. A number of essays compiled in the present volume focus on the patronage and collections of European kings and noblemen. In the nineteenth and twentieth centuries European and American museums became important collectors of Flemish tapestry, as is demonstrated by some museological studies presented in Studies in Honour of Guy Delmarcel. This penetration by Flemish tapestry of the public realm has obviously necessitated iconographic and stylistic studies. A number of new analyses are gathered in the Festschrift. Contents : Rotraud Bauer, Zur Ikonographie der Tapisserienserie Die Sechs Weltzeitalter im Kunsthistorischen Museum in Wien; Maria Hennel-Bernasikowa, The Role of the Tapestries of Sigismund II Augustus in Polish Royal Ceremonies; Pascal-Francois Bertrand, Tapisseries de Flandres et autres tentures parmi les dessins d'archeologie de Roger de Gaignieres; Birgitt Borkopp-Restle and Andre Brutillot, L'Histoire de Saint Paul et ses additions. Une serie de tapisseries du Musee national de Baviere ; Iain Buchanan, The Tapestries Purchased by King Eric XIV of Sweden at Antwerp in 1560-1561. New Documentation; Thomas P. Campbell, The Story of Abraham tapestries at Hampton Court Palace; Ingrid De Meuter, Le peintre anversois Pieter Spierinckx (1635-1711), createur de cartons de tapisseries; Nello Forti Grazzini, Renaissance Tapestry and Italian Patronage; Wendy Hefford, Brussels Horsemanship tapestries owned by Charles I and Frederick Prince of Wales; Concha Herrero Carretero,Tapices flamencos en la coleccion de la Corona de Espana; Lucia Meoni, Gli arazzi fiamminghi nella collezione de'Medici ; Hillie Smit, New Data on the History of a Set of Scenes of Country Life "after Teniers" in the Rijksmuseum Amsterdam; Christa C. Mayer Thurman and Koenraad Brosens, Flemish Tapestries in the Collection of The Art Institute of Chicago.

232 p., 94 b/w ill. 28 colour ill., 245 x 297 mm, Languages: English,Hardback. ISBN 9782503521749.

[SW: ISBN: 978-2-503-52174-9 Studies in Western Tapestry Flemish Tapestry in European and American Collections ,Studies in Honour of Guy Delmarcel Professor of History of Art at the Catholic University apijt tappisery]

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DELMARCEL, Guy e.a.; GOLDEN WEAVINGS. FLEMISH TAPESTRIES OF THE SPANISH CROWN, Malines Gaspard De Wit Foundation 1993
Exhibition presented at the Bayerisches Nationalmuseum in Munich ( Germany ) in March and April 1993, at the Royal Manufacturers of Tapestry Gaspard De Wit in Malines in May and June 1993, and by the Stichting De Nieuwe Kerk in co-operation with the Rijksmuseum in Amsterdam in July and August 1993. New book.

Bound, blue cloth, illustrated dustjacket in colour, 230 x 320mm., colour illustration throughout.

[SW: textile tapijt tapestry tapis vlaamse kunst flemish art flamand DELMARCEL, Guy GOLDEN WEAVINGS. FLEMISH TAPESTRIES OF THE SPANISH CROWN spaanse kroon spanje espagne Gaspard De Wit Foundation Bayerisches Nationalmuseum in Munich Stichting De Nieuwe Kerk Rijksmuseum in Amsterdam]

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Liebaers, Herman et al.: Flemish Art. From the Beginning till Now. Painting, Architecture, Sculpture, Decorative Arts. Antwerpen: Fonds Mercator, 1991. ISBN: 9061532620
Ein gutes und sauberes Exemplar. - Inhalt: Herman Liebaers, Flemish. Leon Voet, Historical survey. THE MIDDLE AGES: Leon Voet, Introduction. Jean-Pierre Esther, Architecture. Christine Van Vlierden, Sculpture. Dirk De Vos, Painting. Valentin Vermeersch, The art of stained glass. Maurits Smeyers, The art of illumination. Leon Voet, Graphic art. Lieven Daenens, Furniture. Erik Duverger, Tapestry and textile arts. Valentin Vermeersch, Metalwork. Hubert De Witte, Pottery production. THE 16th CENTURY: Leon Voet, Introduction. Jean-Pierre Esther, Architecture. Christine Van Vlierden, Sculpture. Carl Van de Velde, Painting. Valentin Vermeersch, The art of stained glass. Leon Voet, Graphic art. Ria Fabri, Furniture. Erik Duverger, Tapestry and textile arts. Andre Van den Kerkhove, Metalwork. Stephane Vandenberghe, Ceramics. Jeanine Lambrechts-Douillez, Musical instruments. THE 17th AND 18th CENTURIES: Leon Voet, Introduction. Jean-Pierre Esther, Architecture. Helena Bussers, Sculpture. Frans Baudouin, Painting. Leon Voet, Graphic art. Ria Fabri, Furniture. Erik Duverger, Tapestry and textile arts. Piet Baudouin, Metalwork. Stephane Vandenberghe, Ceramics. Jeanine Lambrechts-Douillez, Musical instruments. THE 19th AND 20th CENTURIES: Robert Hoozee and Wim Blockmans, Introduction. Jean Van Cleven, Architecture. Monique Tahon-Van Roose, Sculpture. Robert Hoozee, Painting. Lieven Daenens, Decorative arts. ISBN 9061532620 - , ISBN-13: 9789061532620

590 S. Originalleinen mit Schutzumschlag.

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