Friedlander Photographs
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Friedlander, Lee: Lee Friedlander Photographs, Frederick Law Olmsted Landscapes; 2008 . 89 pp. 19.70 in. . ; Distributed Art Pub, 2008. ISBN: 9781933045733
Neuware; original eingeschweisst; Rechnung mit MwSt.; new item, still sealed; Bestellungen bis 15 Uhr werden am gleichen Werktag verschickt. ; A natural chronicler of all things uniquely American, photographer Lee Friedlander here puts his lens to the work of Frederick Law Olmsted (1822-1903), designer of many of this country's most iconic public landscapes and the father of North American landscape architecture. Olmsted was responsible for a staggering number of America's greatest parks, including the Niagara reservation (North America's oldest state park), Washington Park, the Biltmore Estate, the U.S. Capitol building landscape and entire parkway systems in Buffalo and Louisville. His most famous work remains New York City's Central Park, a pioneering egalitarian gesture that was very unusual at the time for its ready accessibility. This book, published to coincide with The Metropolitan Museum of Art's 2008 exhibition, compiles 89 photographs made by Friedlander in Olmsted's public parks and private estates. This stunning collection of rich tritones celebrates the complex, idiosyncratic picture-making of one of the country's greatest living photographers, and also arrives upon the 150 year anniversary of Olmsted's 1858 design for Central Park. Rambling across bridges and through open meadows and dense undergrowth, Friedlander locates a pure pleasure in Olmsted's designs--in the meticulous stonework, the balance of exposure to shade, and in the mature, weather-beaten trees that attest to the durability of Olmsted's vision.; ISBN 9781933045733 , ISBN: 1933045736
84 Seiten Gebundene Ausgabe
[SW: Photographic equipment & techniques, Photographs: collections, Friedlander, Lee, Olmsted, Frederick Law, Parks - United States, Individual photographers, Photography, Collections, Catalogs, Exhibitions, General, Landscapes]
Alveng, Dag: Photographs from the Real World. Edited by Dag Alveng. ; sig.; 1. Ed.
De Norske Bokklubbene, 1993. First edition, first printing. Original first norwegian printing! Signed by Dag Alveng. Signatures by Alveng are very scarce! Hardcover in linen with original dustjacket. 222 pages, 285 x 285 mm. This book was published in connection with the exhibition "Photographs from the Real World". The exhibition is part of the Pre-olympic Cultural Program of the XVII Olympic Winter Games at Lillehammer in 1994. The exhibition is produced by Lillehammer Art Museum. Project Manager: Per Bj. Boym. Guest Curator: Dag Alveng. In this big book the work of 16 different photographed is presented in chapters (among others) Martin Parr, Michael Schmidt, Thomas Ruff, Shomei Tomatsu, Lewis Baltz, Paul Graham, Gilles Peress, Lee Friedlander. The curator Dag Alveng is the maker of "Asylum", one of the most important photobooks (Martin Parr , The Photobook , page 289). Condition: Dustjacket with minimal using and rubbing, but without tears and without missing parts. Inside very clean and very fine without flaws. Dedication on first page. Signed by Dag Alveng. Overall fantastic condition!***************De Norske Bokklubbene, 1993. Erstausgabe. Norwegische Originalausgabe. Signiert von Dag Alveng! Original-Signaturen dieses Künstlers sind sehr selten! Hardcover in Leinen mit Original-Schutzumschlag. 222 Seiten, 285 x 285 mm. Dieses Buch wurde veröffentlicht im Zusammenhang mit der Ausstellung "Photographs from the Real World". Diese Ausstellung war Teil des vor-olympischen Kulturangebots anläßlich der Olympischen Winterspiele in Lillehammer im Jahre 1994. Die Ausstellung wurde ermöglicht durch das Lillehammer Art Museum. Projektmanager war Per Bj. Boym, Gastkurator kein geringerer als Dag Alveng, dem Macher von "Asylum", einem der berühmtesten Bücher in der Geschichte der Fotografie (Martin Parr , The Photobook , Seite 289). In dem Buch werden 16 Fotografen ausführlich in Kapiteln vorgestellt: (unter anderem) Martin Parr, Michael Schmidt, Thomas Ruff, Shomei Tomatsu, Lewis Baltz, Paul Graham, Gilles Peress, Lee Friedlander. Zustand: Der Original-Schutzumschlag ist minimalst berieben und toll erhalten; keine Einrissee, keine Fehlstellen. Innen alles wunderschön sauber und tadellos erhalten bis auf eine Widmung auf der ersten Seite. Das Buch ist signiert von Dag Alveng! Insgesamt toller Zustand!
Friedlander, Lee. Factory Valleys. Photographs by Lee Friedlander. Afterword by Leslie George Katz. New York, Callaway Editions IV 1982. ; 1. Ed.
Erste Ausgabe. - Großartige Serie hervorragender Industrieaufnahmen und Porträts aus Ohio und Pennsylvania, dem "Ruhrgebiet" der USA, eine Auftragsarbeit für das Akron Art Museum in Ohio. Dieser schlicht anmutende Band dürfte das beste Fotobuch des Fotografen Lee Friedlander's (geb. 1934) sein. - Innendeckel mit Besitzerstempel, der leider etw. durchschimmert. Der Einband sonst ungewöhnlich frisch, daher insgesamt schönes, sauberes Exemplar. / First edition. Photoillustrated softbound edition. 80 pp. Squarish quarto. 62 duotone offset lithographic reproductions. - Breathtaking series of photographs of America's industrial belt, in and around the Ohio River Valley. Commissioned by the Akron Art Museum, "Factory Valleys", is considered to be a milestone series, both in the artist's career and in the history of documentary photography as well as Friedlander's best photo-book. - Front inside cover shows former owner's name stamp, which can be faintly detected through front cover. Apart from this, covers are almost immaculately clean, i.e. virtually no dusting or other soiling, as is usually the case. All in all a near fine copy of this beautifully printed publication.
4°. 80 unpag. Seiten. Mit 62 duotone Tafeln. Fotoillustrierter Orig.-Karton.
[SW: Ausstellungskataloge, Fotografen, Fotografie, Photography, Amerikanische Fotografie, englische Ausgaben / english editions, Fotobücher nach 1945, Fotografie 70er Jahre, Industriefotografie]
Friedlander, Lee: Lee Friedlander. ; sig.; 1. Ed.
Fraenkel Gallery, San Francisco. 2000. First edition, first printing. Beautifully signed by Lee Friedlander. Mint, new, unread; opened once for signature. Paperback. 230 x 235 mm (9 1/4 x 9 inches). 96 pages. 77 duotone plates. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander. Text by John Szarkowski. Beautifully printed by Meridian Printing, Rhode Island. Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). From the publisher: "Lee Friedlander has documented a lifetime in photographs, creating a thick and diverse body of work which has left an indelible imprint on the medium he helped to fortify. Among his most important subjects - once at the beginning of his career, and now thirty years later - is himself. With the photographic cornerstone of a monograph, Self-Portrait, originally published in 1970, Friedlander created an archetype for self-imaging. Three decades later Friedlander re-acquainted himself with the far side of the camera."***************Fraenkel Gallery, San Francisco. 2000. Erstausgabe. Originalausgabe. Wunderschön signiert von Lee Friedlander. Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur des Künstlers. Paperback. 230 x 235 mm. 96 Seiten. 77 Duotoneabbildungen. Text von John Szarkowski. Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199).



