Lee Friedlander

Friedlander, Lee: Stems. ; sig.; 1. Ed.
Steidl, Göttingen. 2004. First edition, first printing. Signed by Lee Friedlander in red pen on litle page! New, mint, unread; only opened once for signature. Clothbound hardcover with a tipped-in photograph without jacket (as issued). 253 x 304 mm. 96 pages. 65 Triton-Fotos. With an introduction by Lee FriedlanderIn 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life - a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects with a few good results, but nothing stood out until he began to look at the fresh flowers that his wife Maria placed around their home in cut-glass vases. But never mind the flowers. True to Friedlander's style, he very quickly found himself most interested in the stems. During the months of February, May, June and December of 1994, he focused his lens on wild arrays of stems and the optical splendor produced by light refracting through the glass vases that contained them. In 1998, Friedlander had both of his knees surgically replaced. Three months of recovery time passed during which he took no pictures, the only gap in almost 50 years of working. The next year, successfully rehabilitated and walking without pain, Friedlander decided to re-apply himself to the stems and finish them off as a subject. Published in a lush, oversize volume, printed with a special drytrap process, Stems is the result of this unusual saga in the photographer's career. Lee Friedlander and his camera have now returned to the street. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State. Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199).***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Signiert von Lee Friedlander! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur des Künstlers. Leinen ohne Schutzumschlag (nur so erschienen). 253 x 304 cm. 96 Seiten. 65 Triton Photos. Text: englisch. Lee Friedlander (Jahrgang 1934), der Chronist des "American Way Of Life" konzentriert sich in diesem Band auf die Arbeiten von Frederick Law Olmsted (1822-1903). Als Landschaftsarchitekt war Olmsted u.a. verantwortlich für die Gestaltung des Niagara Reservats und des Washington Parks. Seine bekannteste Arbeit bleibt aber der Central Park in New York. Dieser Band versammelt 89 Triton-Aufnahmen, die in öffentlichen Parks und privaten Anwesen entstanden sind. Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199).

Details

Friedlander, Lee: Lee Friedlander. ; sig.; 1. Ed.
Fraenkel Gallery, San Francisco. 2000. First edition, first printing. Beautifully signed by Lee Friedlander. Mint, new, unread; opened once for signature. Paperback. 230 x 235 mm (9 1/4 x 9 inches). 96 pages. 77 duotone plates. Photographically illustrated stiff wrappers. Photographs by Lee Friedlander. Text by John Szarkowski. Beautifully printed by Meridian Printing, Rhode Island. Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). From the publisher: "Lee Friedlander has documented a lifetime in photographs, creating a thick and diverse body of work which has left an indelible imprint on the medium he helped to fortify. Among his most important subjects - once at the beginning of his career, and now thirty years later - is himself. With the photographic cornerstone of a monograph, Self-Portrait, originally published in 1970, Friedlander created an archetype for self-imaging. Three decades later Friedlander re-acquainted himself with the far side of the camera."***************Fraenkel Gallery, San Francisco. 2000. Erstausgabe. Originalausgabe. Wunderschön signiert von Lee Friedlander. Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur des Künstlers. Paperback. 230 x 235 mm. 96 Seiten. 77 Duotoneabbildungen. Text von John Szarkowski. Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199).

Details

Friedlander, Lee: Stems. ; 1. Ed.
Steidl, Göttingen. 2004. First edition, first printing. New, mint, unread; originally shrink-wrapped in publisher's plastic foil. Clothbound hardcover with a tipped-in photograph without jacket (as issued). 253 x 304 mm. 96 pages. 65 Triton-Fotos. With an introduction by Lee FriedlanderIn 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life - a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects with a few good results, but nothing stood out until he began to look at the fresh flowers that his wife Maria placed around their home in cut-glass vases. But never mind the flowers. True to Friedlander's style, he very quickly found himself most interested in the stems. During the months of February, May, June and December of 1994, he focused his lens on wild arrays of stems and the optical splendor produced by light refracting through the glass vases that contained them. In 1998, Friedlander had both of his knees surgically replaced. Three months of recovery time passed during which he took no pictures, the only gap in almost 50 years of working. The next year, successfully rehabilitated and walking without pain, Friedlander decided to re-apply himself to the stems and finish them off as a subject. Published in a lush, oversize volume, printed with a special drytrap process, Stems is the result of this unusual saga in the photographer's career. Lee Friedlander and his camera have now returned to the street. Lee Friedlander has had a distinguished career as a photographer. Among his many awards are a MacArthur Foundation Award, grants from the National Endowment of Art, and three Guggenheim Fellowships. His previously published books include the seminal Self Portrait and The American Monument, and, more recently, American Musicians, Letters from the People, Little Screens, The Desert Seen, and Kitaj. He lives in New York State.***************Steidl, Göttingen. 2004. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in Plastikfolie des Verlages. Leinen ohne Schutzumschlag (nur so erschienen). 253 x 304 cm. 96 Seiten. 65 Triton Photos. Text: englisch. Lee Friedlander (Jahrgang 1934), der Chronist des "American Way Of Life" konzentriert sich in diesem Band auf die Arbeiten von Frederick Law Olmsted (1822-1903). Als Landschaftsarchitekt war Olmsted u.a. verantwortlich für die Gestaltung des Niagara Reservats und des Washington Parks. Seine bekannteste Arbeit bleibt aber der Central Park in New York. Dieser Band versammelt 89 Triton-Aufnahmen, die in öffentlichen Parks und privaten Anwesen entstanden sind.

Details

Friedlander, Lee: Lee Friedlander. ; sig.; 1. Ed.
Fraenkel Gallery, San Francisco. 2000. First edition, first printing. Beautifully signed by Lee Friedlander. Scarce hardcover edition! Limited to 600 copies only! Mint, new, unread; opened once for signature. Hardcover in linen without jacket (as issued). 240 x 240 mm. 96 pages. 77 duotone plates. Friedlander is famous for fantastic photobooks like "The American Monument" (Andrew Roth, The Book of 101 Books, page 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, page 28. The Open Book, Hasselblad Center, page 310. 802 photo books of the M. + M. Auer collection, page 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, page 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, page 258. The Open Book, Hasselblad Center, page 262/263. 802 photo books of the M. + M. Auer collection, page 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, page 199). From the publisher: "Lee Friedlander has documented a lifetime in photographs, creating a thick and diverse body of work which has left an indelible imprint on the medium he helped to fortify. Among his most important subjects - once at the beginning of his career, and now thirty years later - is himself. With the photographic cornerstone of a monograph, Self-Portrait, originally published in 1970, Friedlander created an archetype for self-imaging. Three decades later Friedlander re-acquainted himself with the far side of the camera."***************Fraenkel Gallery, San Francisco. 2000. Erstausgabe. Originalausgabe. Wunderschön signiert von Lee Friedlander. Seltene Hardcover-Ausgabe! Limitiert auf nur 600 Exemplare! Neu, ungelesen, verlagsfrisch; nur einmal geöffnet für die Signatur des Künstlers. Hardcover in Leinen (erschien ohne Umschlag). 240 x 240 mm. 96 Seiten. 77 Duotoneabbildungen. Text von John Szarkowski. Friedlander ist berühmt für wunderschön gemachte Fotobücher wie "The American Monument" (Andrew Roth, The Book of 101 Books, Seite 236/237. Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 28. The Open Book, Hasselblad Center, Seite 310. 802 photo books of the M. + M. Auer collection, Seite 600), "Self Portrait" (Andrew Roth, The Book of 101 Books, Seite 298/299, Martin Parr & Gerry Badger, The Photobook, vol 1, Seite 258. The Open Book, Hasselblad Center, Seite 262/263. 802 photo books of the M. + M. Auer collection, Seite 514) or "Cray at Chippewa Falls" (Martin Parr & Gerry Badger, The Photobook, vol 2, Seite 199).

Details