American Art in Barbizon

American Art Galleries, New York. The Valuable Paintings Collected By the Late Dr. Leslie W. Ward of Newark, New Jersey - Barbizon Masters and Their Contemporaries - American Art Galleries, Mendelssohn Hall, New York City - January 13, 1911 - Catalogue in Original Box (Troyon, Ziem,...). New York: American Art Galleries, 1911.
TEXT PRISTINE Catalogue in original box. Mild wear to DJ, else flawless. 72 works catalogued and illustrated in black and white plates. Among the artists represented: C. Troyon, Ziem, Harpignies, Mauve, Fromentin, and others
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Hardcover, As New in As New dust jacket.

[SW: American Art Galleries New York The Valuable Paintings Collected By The L New Jersey - Barbizon Masters And Their Contempora Mendelssohn Hall New York City - January 13 1911 - Catalogue In Original Box Mild Wear To DJ Else Flawless. 72 Works Catalogued And Illustrated Ziem Collectible,]

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Bermingham, Peter. American Art in the Barbizon Mood - National Collection of Fine Arts / Smithsonian Institution - 1/23/75 - 4/20/75. Washington, DC: Smithsonian Institution Press/ National Collection of Fine Arts, 1975.
B000H0QC0K, TEXT PRISTINE, CLEAN & UNMARKED, TIGHT TO THE SPINE - Ex-library with usual markings. Rarely found in hard cover. Publication accompanying the exhibition at The National Collections of Fine Arts, Smithsonian Institution, Jan. 23 - April 20, 1975. 191 p. 145 ill. Published in conjunction with exhibition, with catalogue of 108 works exhibited (92 paintings and 16 prints). Introduction by Joshua C. Taylor; biographies of fifty-four artists, including forty-two Americans (Charles Appel, Edward Mitchell Bannister, J. Appleton Brown, Joseph Foxcroft Cole, Thomas Bigelow Craig, Bruce Crane, Elliott Daingerfield, Charles H. Davis, Henry Golden Dearth, Louis Paul Dessar, Charles Warren Eaton, John Joseph Enneking, George Fuller, Winckworth Allan Gay, Robert Swain Gifford, Eugene Higgins, Arthur Hoeber, Winslow Homer, William Henry Howe, William Morris Hunt, George Inness, George Inness, Jr. , Joseph Jefferson IV, David Johnson, John Bernard Johnston, Hugh Bolton Jones, William Keith, William Langston Lathrop, Homer Dodge Martin, Robert Crannell Minor, Mary Nimmmo Moran, John Francis Murphy, Robert Loftin Newman, Henry Rankin Poore, Milne Ramsey, Henry Ward Ranger, Thomas H. Robinson, George Henry Smillie,. Dwight William Tryon, Sarah Wyman Whitman, Carleton Wiggins, and Alexander Helwig Wyant) , three Canadians (Wyatt Eaton, Horatio Walker and Homer Watson) , and nine French (including Jules Breton, Corot, Charles F. Daubigny, Jules Dupre, Millet, Theodore Rousseau, Troyon). Also includes checklist of the prints in the exhibition, bibliography and essay by Joshua C. Taylor. Valuable reference for this extrordinary period of art tracing the influence of French Barbizon painting on late nineteenth century American and Canadian artists. Scarce and Important reference.
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Hardcover, Very Good.

[SW: Bermingham Peter American Art In The Barbizon Mood - National Smithsonian Institution Jan. 23 - April 20 1975. Includes Biographies Of Artists. -- Individu Corot Charles F. Daubigny Jules Dupre Collectible,]

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Bermingham, Peter. American Art in the Barbizon Mood. Smithsonian Institution Press, 1975.
Publication accompanying the exhibition at The National Collections of Fine Arts, Smithsonian Institution, Jan. 23 - April 20, 1975. 191 p. 145 ill. Published in conjunction with exhibition, with catalogue of 108 works exhibited (92 paintings and 16 prints). Introduction by Joshua C. Taylor; biographies of fifty-four artists, including forty-two Americans (Charles Appel, Edward Mitchell Bannister, J. Appleton Brown, Joseph Foxcroft Cole, Thomas Bigelow Craig, Bruce Crane, Elliott Daingerfield, Charles H. Davis, Henry Golden Dearth, Louis Paul Dessar, Charles Warren Eaton, John Joseph Enneking, George Fuller, Winckworth Allan Gay, Robert Swain Gifford, Eugene Higgins, Arthur Hoeber, Winslow Homer, William Henry Howe, William Morris Hunt, George Inness, George Inness, Jr. , Joseph Jefferson IV, David Johnson, John Bernard Johnston, Hugh Bolton Jones, William Keith, William Langston Lathrop, Homer Dodge Martin, Robert Crannell Minor, Mary Nimmmo Moran, John Francis Murphy, Robert Loftin Newman, Henry Rankin Poore, Milne Ramsey, Henry Ward Ranger, Thomas H. Robinson, George Henry Smillie,. Dwight William Tryon, Sarah Wyman Whitman, Carleton Wiggins, and Alexander Helwig Wyant) , three Canadians (Wyatt Eaton, Horatio Walker and Homer Watson) , and nine French (including Jules Breton, Corot, Charles F. Daubigny, Jules Dupre, Millet, Theodore Rousseau, Troyon). Also includes checklist of the prints in the exhibition, bibliography and essay by Joshua C. Taylor. Valuable reference for this extrordinary period of art tracing the influence of French Barbizon painting on late nineteenth century American and Canadian artists. Scarce and Important reference.
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Paperback, Very Good.

[SW: Bermingham Peter American Art In The Barbizon Mood Collectible,]

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AGEE, WILLIAM C. & FAXON, SUSAN C. Coming Of Age: American Art, 1850s To 1950s. Yale University Press. New Haven and London: 2006. ISBN: 0300115237

136 pages. From the 1850s to the 1950s, American art and culture progressed from provincial status to international prominence, and American art transitioned from figurative depictions of the particular to abstract interpretation of universal ideals. This book chronicles this complex century of maturation through a selection of paintings from the collection of the Addison Gallery of American Art, Phillips Academy, Andover Massachusetts. From the 1850s to the 1950s, American art and culture progressed from provincial status to international prominence, and American art developed from figurative depictions of the particular to abstract interpretations of universal ideals. This beautiful book chronicles this complex century of maturation through an exquisite selection of paintings from the extraordinary collection of the Addison Gallery of American Art, Phillips Academy, Andover, Massachusetts. "Coming of Age" begins with Albert Bierstadt, Frederic Church, and the Hudson River School landscapes that embody the new nationalism of mid-nineteenth century America. Their successors, American Luminists like Jasper Cropsey and Fitz H. Lane, infused their immediate natural surroundings with glowing light and crystalline clarity, while contemporary Barbizon-influenced tonalists, such as George Inness, sought to capture the American ethos through an emotional, atmospheric landscape language. In the later nineteenth century, Winslow Homer, Thomas Eakins, and Eastman Johnson imaged native subjects through the lens of realism. Childe Hassam and Maurice Prendergast brought Impressionist aesthetics to the American context, while expatriates including John Singer Sargent and James McNeil Whistler established themselves in European art capitals. In New York, turn-of-the-century Ashcan school painters captured the gritty cityscape that would host American champions of modernism Alfred Stieglitz, Man Ray, and Marsden Hartley. In the 1930s, European-trained artist Josef Albers introduced a generation of American painters to new theories of colour and space from which emerged the breakthrough Abstract Expressionists. By the 1950s, American art had come of age, as Americans securely held the vanguard position in the international art world. The search for an American expression, 1850-1917 by Susan C. Faxon 16 American art, 1910-1950s : themes, traditions, continuities by William C. Agee 68 Hardcover with dustjacket. Brand new book.

[SW: (Key Words: Addison Gallery of American Art, Phillips Academy, Albert Bierstadt, Frederic Church, Hudson River School, Landscapes, American Luminists, Jasper Cropsey, Fitz H. Lane, George Inness, Winslow Homer, Thomas Eakins, Eastman Johnson, Childe Hassam, Maurice Prendergast, John Singer Sargent, James McNeil Whistler, Ashcan School Painters, Alfred Stieglitz, Man Ray, Marsden Hartley. Josef Albers, Susan C. Faxon, William C. Agee).]

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