James Nachtwey

English Version

Es wurden insgesamt 43 Einträge zu 'James Nachtwey' gefunden (Stand: 23.05.2012).

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Fotojournalismus.- Panzer, Mary. Things as they are. Photojournalism in context since 1955. New York, Aperture 2006. ; Schutzumschlag / dust cover ISBN: , ISBN: , ISBN: 978-1597110143
Überblick über 50 Jahre Fotojournalismus, von der Blütezeit der illustrierten Presse bis zum Aufkommen der digitalen Medien im 21. Jahrhundert. In 125 Beiträgen aus internationalen Magazinen und Zeitschriften werden die Artikel werden im Originalkontext der jeweiligen Zeitung gezeigt. Begleitende Texte dokumentieren die Veränderungen des Mediums. Die Fotoessays stammen von so bekannten Fotografen wie Bruce Davidson, Robert Lebeck, Will McBride, Sebastiao Salgado, Mary Ellen Mark, James Nachtwey, u.a. Sie werden jeweils von einem fachkundigen Kommentar erläutert.

23,6 x 30,2 cm. 384 S. mit ca. 500 vierfarbigen Fotoabb. OPpbd. mit illustr. Orig.-Umschlag , ISBN: 978-1597110143

[KW: Fotografie / Photographie, 20. Jahrhundert; Fotojournalismus; Geschichte der Fotografie; Pressefotografie]

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Richards, Eugene: Dorchester Days. ; 1. Ed.
Phaidon, 2000. Mint, unread, flawless copy. Hardback with dustjacket. 108 pages. Revised and Expanded Edition of the photographer's landmark collection. Now considered a late-modern photography classic. A handsome production by Eugene Richards: Oversize-volume format. Black ribbed hard boards with embossed titles on spine, as issued. Photographs, Texts, and Afterword by Eugene Richards. Richards wrote the text in his own hand and it is reproduced as such in the book. In pictorial DJ with "bleed" photograph on the cover and black titles on the spine, as issued. "Dorchester Days" is Eugene Richards's 1978 photographic portrait of the blue-collar Boston neighborhood in which he was born, grew up, and came of age. The Phaidon Edition does real justice to Richards' stunning, "in-your-face" social documentary style: In addition to including all the original photographs and text, the edition includes pictures Richards took of the racial strife in nearby South Boston in the 1970's as well as additional text. "The new pictures speak of racial tensions, violence, poverty, and crime, tackling such subjects as the Klu Klux Klan, in a way that he did not feel able to at the time of the original publication. On the basis of 'Dorchester Days', Richards became a member of Magnum Photos in 1978 and left to work independently in 1994. His style has set the standard for leading photojournalists such as James Nachtwey and Gilles Peress" (Publisher's blurb). Eugene Richards himself openly acknowledges his debt to Robert Frank, Eugene Smith, and Leonard Freed. The lineage and succession represent documentary and "street" photography at their highest standard of achievement.***************Phaidon, 2000. Neu, ungelesen, makellos. Perfekter Zustand. Hardback mit Original-Schutzumschlag. 108 Seiten. Neu-aufgelegte und erweiterte Ausgabe seiner legendären Serie (erschien 1978 in einer kleinen Paperback-Ausgabe). Fotografien, Texte und Nachwort von Eugene Richards.

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Richards, Eugene: Dorchester Days. ; sig.; 1. Ed.
Many Voices Press (MVP), Wollaston, 1978. First edition, first printing. With the original signature by the artist! Signatures by Eugene Richards are very scarce! Re-published by Phaidon Press in an expanded and redesigned edition, London, 2000). 303 x 227 mm (12 x 9 in). 64 pages. Paperback (as issued). 77 black and white photographs. Text by Eugene Richards; postscript by Dorothea Lynch; design by Guy Rusell. Condition: Outside with traces of use what is very normal for this very sensitive paperback edition. Inside in very fine and clean condition. Signature by Richards on first page. Photographer's landmark collection. Now considered a late-modern photography classic. "Dorchester Days" is Eugene Richards's 1978 photographic portrait of the blue-collar Boston neighborhood in which he was born, grew up, and came of age. On the basis of 'Dorchester Days', Richards became a member of Magnum Photos in 1978 and left to work independently in 1994. His style has set the standard for leading photojournalists such as James Nachtwey and Gilles Peress". Eugene Richards himself openly acknowledges his debt to Robert Frank, Eugene Smith, and Leonard Freed. The lineage and succession represent documentary and "street" photography at their highest standard of achievement.***************Many Voices Press (MVP), Wollaston, 1978. Amerikanische Erstausgabe. Originalausgabe. Mit der Original-Signatur des Künstlers! Signaturen von Eugene Richards sind sehr selten! Neu aufgelegt von Phaidon in einer erweiterten und neu-layouteten Version im Jahre 2000. 303 x 227 mm. 64 Seiten. Paperback (nur so erschienen). 77 schwarz-weiß Fotos. Text von Eugene Richards. Postscript von Dorothea Lynch, Layout von Guy Rusell. Zustand: Außen mit Gebrauchsspuren. Innen sehr schöner, sauberer Zustand. Einen Meilenstein der Fotografie-Geschichte! Sehr selten, vor allem mit der Signatur Eugene Richards!

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Panzer, Mary and Christian Caujolle: Things as they are. World Press Photo. Photojournalism in context. ; 1. Ed.
Aperture, 2006. First edition, first printing. Mint, new, unread condition; originally shrink-wrapped in publisher's plastic foil. Hardcover plus dustjacket. 240 x 310 mm. Excellent overview about the most important photo reports in magazines by famous photographers like James Nachtwey, Anders Petersen, Don McCullin, Henri Cartier-Bresson, Bruce Davidson, Daido Moriyama, Ed van der Elsken etc. Beautiful, important photobook!***************Aperture, 2006. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch original-verschweißt in Plastikfolie. Hardcover mit Schutzumschlag. 240 x 310 mm. Excellenter Überblick über die Reportage-Fotografie zwischen 1955 und 2005. Fotostrecken unter anderem von James Nachtwey, Anders Petersen, Don McCullin, Henri Cartier-Bresson, Bruce Davidson, Daido Moriyama, Ed van der Elsken. Wunderschönes, wichtiges Buch!

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