Orlando Furioso

OLBETER, Roland, Orlando Furioso! Concerto for String Quartet, Drum, and Soprano. A project sponsored by FESTO. Avantgarde Musik und Installation. Esslingen / Barcelona. FESTO AG. 2006. ; Schutzumschlag / dust cover; 1. Ed.
Avantgarde Musik und Bühnendesign des inspirierten Roland Olbeter zum Sujet von Ariosts "Rasendem Roland".. Sponsored by FEST AG. CD mit der Musik liegt dem Buch bei. Dieses ist auf dem Vorsatz dem Antiquariat handschriftlich von Olbeter gewidmet: "Für Hans .... ein Projekt um die Mittelmäßigkeit zu besiegen. Herzlichst, Roland." - This concerto for String Quartet, Drum and Soprano "Orlando Furioso!" (Ariost) leads the listener into new spheres of sound. The centre point is a modern pneumatic chamber orchestra which conveys the fascination of automated instruments in an innovative way. This book documents the development of the work, from the initial idea to the German premiere, and highlights the fruitful are between artistic creativity, industrial technology, and contemporary music. Fine copy. As new. In oroginal publisher's slipcase. In original Leinenkassette. Tadellos.

Erste Auflage. 4°. 84 pages, numerous also coloured illustrations and pictutes + CD for the concert. Original publisher's cloth wit dust jacket.; 1

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Photographie SCHNEIDER, Roland. Der Fotograf Roland Schneider. Ideen - Entwürfe - Arbeitsproben. Zentralbibliothek Solothurn Ausstellung 1983. Solothurn. 1983. ; 1. Ed.
Avantgarde Musik und Bühnendesign des inspirierten Roland Olbeter zum Sujet von Ariosts "Rasendem Roland".. Sponsored by FEST AG. CD mit der Musik liegt dem Buch bei. Dieses ist auf dem Vorsatz dem Antiquariat handschriftlich von Olbeter gewidmet: "Für Hans .... ein Projekt um die Mittelmäßigkeit zu besiegen. Herzlichst, Roland." - This concerto for String Quartet, Drum and Soprano "Orlando Furioso!" (Ariost) leads the listener into new spheres of sound. The centre point is a modern pneumatic chamber orchestra which conveys the fascination of automated instruments in an innovative way. This book documents the development of the work, from the initial idea to the German premiere, and highlights the fruitful are between artistic creativity, industrial technology, and contemporary music. Fine copy. As new. In oroginal publisher's slipcase. In original Leinenkassette. Tadellos.

Erste Auflage. 8°. 27 Seiten + zahlreiche Fotografien auf Chromopapier. Original-Verlagseinband.; 1

Details

Weinberg, Bernard: A history of literary criticism in the Italian Renaissance. [Volume I+II]. Chicago : University of Chicago Press, 1974.
Einband berieben, papierbedingt gebräunt, Schnitt leicht beschmutzt, sonst gute Exemplare. - It is generally accepted that European literary criticism of the modern era is founded on the principles established by the Italian critics of the sixteenth century. Bernard Weinberg traces the course of the transformation accomplished by these critics in adapting the traditions of classical Greece and Rome and of the Middle Ages to modern use. This is an incomparable survey of a most vital period, studying and analyzing hundreds of documents-many of them manuscripts-never before considered in connection with Renaissance criticism. This first volume, Poetic Theory, of A History of Literary Criticism in the Italian Renaissance traces the growth of three major critical traditions-those of Horace, Plato, and Aristotle. The second volume, entitled Practical Criticism, of Bernard Weinberg's monumental study of Italian Renaissance criticism applies the poetic theories set forth in volume I to particular works-Dante's Divina commedia, Speroni's Canace, Ariosto's Orlando furioso, Tasso's Gerusalemme liberata, and Guarini's pastor fido. For the first time a comprehensive historical treatment is given to the great literary debates of the sixteenth century. -

Volume 1,2., Midway Reprint. X, 634 S.; 635 - 1184 S. Broschiert.

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Guido Waldman: Orlando Furioso (Oxford World's Classics) Oxford University Press, USA 1999 ISBN: 0192836773

Paperback - kleine Lagerspuren am Buch, leichte Stauchung oben an der Coverrückseite, Inhalt einwandfrei und ungelesen

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