Paul Klee On Modern Art
Es wurden insgesamt 61 Einträge zu 'Paul Klee On Modern Art' gefunden (Stand: 05.05.2011).
Sehen Sie sich die aktuell angebotenen Bücher zu 'Paul Klee On Modern Art' an.
Wedderkop, H. v. Paul Klee. Junge Kunst Band 13. Leipzig Verlag Von Klinkhardt & Biermann 1920 ; fester Einband / hard cover
Fair
ULTRA RARE BIOGRAPHICAL BOOK ON FAMOUS MODERN ARTIST PAUL KLEE BY H. v. WEDDERKOP FROM 1920. This is one of the earliest biography that published on Klee, when he was only 40 years old. Text in German. Illustrated with 32 beautiful black &white works and one color work of Klee. 16pp and 32 plates. ------------------------------------- CONDITION: Fair, text pages are browned by time. Pages with illustrations are in good condition. Title page and last text page are detached. Spine is missing. Binding is worn and faded with few tears, mainly on corners. See Photos for Condition, and feel free to inquire if in doubt.-------------------------------------- Paul Klee (1879- 1940), Swiss painter, printmaker, teacher and writer. Klee's work forms a major contribution to the history of 20th-century art. He is associated most commonly with the Bauhaus school in Weimar and Dessau. He is regarded as a major theoretician among modern artists and as a master of humour and mystery. No Jacket Hard Cover 8vo - over 7¾" - 9¾" tall
[SW: Paul Klee, Cubism, Cubistic, Bauhaus, Modern Art, art, artist, artists, painting, painter, illustration ,illustrator, illustrated. Biography, Biographical.]
Klee, Paul: Paul Klee on Modern Art, London, UK Faber & Faber 1989 ; weicher Einband / soft cover ISBN: 0-571-06682-8
0-571-06682-8 Very Good
55 pages, B/W Illustrations, Text in English. Book is clean inside & out, light scuff, light corner wear. Klee's short treatise on modern art was prepared as the basis for a lecture which he delivered at the opening of an exhibition at the Museum in Jena in 1924.(some of his own work was included in this exhibition) He tells us what happens inside the mind of the artist in the act of compositon - for waht purposes he uses his materials, for what particular effects gives to them particular definitions and dimensions. He distinguishes clearly between the different degrees or orders of reality and defends the right of the artist to create his own order of reality. Soft Cover Used
[SW: Art, Music]
Rebay, Hilla: Art of Tomorrow : Hilla Rebay and Solomon R. Guggenheim, New York, N. Y. : Guggenheim Museum 2005 ISBN: 0892073276
A talented artist who studied in Munich, Berlin, and Paris, Hilla Rebay embraced the idea of non-representational art as both a style and an aesthetic philosophy. At age 22 she began to exhibit and was introduced to the influential and avant-garde gallery Der Sturmin Berlin, where she was drawn to modern giants such as Marc Chagall, Vasily Kandinsky, and Paul Klee. When Rebay moved to America in 1927, she was commissioned by Solomon R. Guggenheim to paint his portrait, and from that point she began her mission to enlighten him with the art she so fervently supported. Rebay introduced Guggenheim to artists such as Kandinsky, and in 1937, he established the Solomon R. Guggenheim foundation for the magnificent collection he had purchased, based on Rebay's advice. In 1939, he and Rebay started the Museum of Non-objective painting, which, in 1959 opened as today's Guggenheim Museum in New York City. This catalogue, which accompanies the exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim, shows Rebay not only as a director and curator, but also as a prolific artist--her early abstract watercolors, drawings, abstract and figurative collages, and large-scale non-objective paintings are featured here. Also included are early masterpieces by Rebay's artist colleagues and friends Arp, Bauer, Kandinsky, Richter, and others. Not only a testament to Rebay's artistic and curatorial prowess, this book also gives touching insight into the extraordinary collaboration between her and Solomon R. Guggenheim, which resulted in one of the world's finest collections of early 20th century modernism
1st Edition A talented artist who studied in Munich, Berlin, and Paris, Hilla Rebay embraced the idea of non-representational art as both a style and an aesthetic philosophy. At age 22 she began to exhibit and was introduced to the influential and avant-garde gallery Der Sturmin Berlin, where she was drawn to modern giants such as Marc Chagall, Vasily Kandinsky, and Paul Klee. When Rebay moved to America in 1927, she was commissioned by Solomon R. Guggenheim to paint his portrait, and from that point she began her mission to enlighten him with the art she so fervently supported. Rebay introduced Guggenheim to artists such as Kandinsky, and in 1937, he established the Solomon R. Guggenheim foundation for the magnificent collection he had purchased, based on Rebay's advice. In 1939, he and Rebay started the Museum of Non-objective painting, which, in 1959 opened as today's Guggenheim Museum in New York City. This catalogue, which accompanies the exhibition Art of Tomorrow: Hilla Rebay and Solomon R. Guggenheim, shows Rebay not only as a director and curator, but also as a prolific artist--her early abstract watercolors, drawings, abstract and figurative collages, and large-scale non-objective paintings are featured here. Also included are early masterpieces by Rebay's artist colleagues and friends Arp, Bauer, Kandinsky, Richter, and others. Not only a testament to Rebay's artistic and curatorial prowess, this book also gives touching insight into the extraordinary collaboration between her and Solomon R. Guggenheim, which resulted in one of the world's finest collections of early 20th century modernism 256 pages
Cahiers D'Art: Cahiers D'Art, 1945-1946, Paris Editions "Cahiers D'Art" 1946
Good
Good Folio. 428 Pgs. In French. Illustrated through-out with black and white photographs. With an extended section on Paul Klee, including an essay by Christian Zervos; with studies for sculpture by Picasso, with chapters on Miro, Chaglall, and others. Wrappers are torn at spine, large section missing on back wrapper as it meets spine, folded edgs worn, but interior clean and sewing structure still good. More of a detailed description available by e-mail on request. Unknown Printed Wrappers
[SW: Catalog 1 Modern Art; Klee, Paul]




