Yasuhiro Ishimoto Chicago Chicago

English Version

Es wurden insgesamt 7 Einträge zu 'Yasuhiro Ishimoto Chicago Chicago' gefunden (Stand: 19.05.2012).

Sehen Sie sich die aktuell angebotenen Bücher zu 'Yasuhiro Ishimoto Chicago Chicago' an.

Isozaki, Arata & Colin Westerbeck & Fuminori Yokoe; Ishimoto, Yasuhiro & Art Institute Of Chicago: Yasuhiro Ishimoto A Tale of Two Cities, 1999 767 Art Institute of Chicago ; weicher Einband / soft cover; 1. Ed.
0865591709

Paperback Very Good Edition: First Edition; First Printing Trade PB. 4to. Square. Art Institue of Chicago. 1999. 144 pgs. First edition/First printing. Wrappers lightly worn. Book is free of ownership marks. Text is clean and free of marks. Binding tight and solid. 767; 0.57 x 10.58 x 9.69 Inches; 144 pages

Details

ISHIMOTO, Yasuhiro. Aruhi Arutokoro. (Someday, Somewhere). Tokyo. Geibi Shuppan. 1958.
Ishimoto was born in San Francisco, then moved to Japan with his parents in 1924 before returning to the States in 1939. Following internment in the war, during which he learned photography, he studied under Harry Callahan and Aaron Siskind at the Chicago Institute of Design, graduating in 1952. He returned to Japan in 1953, but continued to travel between the two countries. Thus his work is an interesting and distinctive blend of cultural influences, neither wholly Japanese nor wholly American in style.In 1958 he had the distinction of producing the first major postwar Japanese photobook, the elegant Aruhi Arutokoro (Someday, Somewhere), shot in both Tokyo and Chicago.'Aruhi Arutokoro is a photobook of truly international stature, providing Japanese photographers with a model of expression that transcended both the parochial and the purely documentary tendency dominating Japanese photography of the time.' (Martin Parr).[Parr & Badger, The Photobook I, pp. 272-273; Kaneko & Vartanian - Japanese Photobooks of the 1960s and '70s, pp. 40-45].

4to. pp. 168. Publisher's black cloth, yellow spine and printed dust-jacket. With 7 colour & 178 black-and-white photographs including various gatefolds and fold-outs.

Details

Newman, Marvin E., and Yasuhiro Ishimoto. Newman & Ishimoto: Reunion in Chicago. Photographs from 1949-52. Chicago, Daiter Gallery, 1999.

Crown quarto. Pp. 14. Full-page black & white plates. Pictorial wrappers. In a very fine, fresh-new condition. Excellent. - - First edition. Published to coincide with the exhibition at the same name in Stephen Daiter gallery, April-June, 1999.

[SW: Art history modern culture Photographic literature photowork photo-work photo work individual photographer photographers photographs photography photographic essay album collection series monograph visual Illustrations]

Details

ISHIMOTO Yasuhiro. Chicago, Chicago. Tokyo. Bijutsu Shuppan-sha. 1969.
First edition, with the rare obi, of Ishimoto's third collection, signed on the title by the photographer.With a foreword by Harry Callahan, text by Takiguchi Shuzo and mise en page by Kamekura Yusaku.'I wonder at the presence of a somewhat solemn serenity, dominating every print in black and white, here in Ishimoto's Chicago. The Black and the White, frequently a cause of hot conflicts, create here also a happy and even stately correspondence or mutual accord: that is, I believe, because of the magic context in black and white on the part of the photographer, and above all because of the brave march of life straight to our deepest desires, manifest or not. Both people and photographers should participate with it. Ishimoto verifies it with silence.' (Takiguchi Shuzo, Chicago in Black and White).'The later book (Chicago, Chicago) demonstrates a photographer influenced by both Japanese and American sources and adopting neither wholeheartedly ... its old-fashioned, humanist virtues are considerable ... the book is split into sections ... revealing various aspects of Chicago and the two major photographic preoccupations of Ishimoto at the time - the formal urban landscape and the street portrait.' (Parr & Badger).[Parr & Badger I, 289].

Square 4to. Original publisher's black cloth, white printed title to upper board and spine, publisher's white glossy slipcase with monochrome photographic illustration and yellow paper printed obi. Illustrated with 207 leaves with monochrome photographic reproductions by Ishimoto.

Details