Yerma
Es wurden insgesamt 116 Einträge zu 'Yerma' gefunden (Stand: 07.02.2012).
Sehen Sie sich die aktuell angebotenen Bücher zu 'Yerma' an.
Parilla, Catherine Arturi: A Theory for Reading Dramatic Texts. Selected Plays by Pirandello and Garcia Lorca. New York, Bern, Berlin, Frankfurt/M., Paris, Wien Peter Lang Vlg. 1995. ISBN: 978-0-8204-2368-5
This book posits a theory for reading dramatic texts. It claims that the reading experience associated with narrative and poetry does not extend to drama; reading drama is unique. The event asks a reader to integrate two narratives, dialogue and notes, to engage in the ideation of sound, action and space in an immediate present, and to internalize a performance. Based on a phenomenological understanding of the reading process and a reception approach to literature, the book offers critical readings of Pirandello's Sei personaggi in cerca d'autore and Enrico IV and Garcia Lorca's Yerma and La casa de Bernarda Alba.
IX, 186 pp. Hardback *neuwertig*
[KW: Film- und Fernsehwissenschaft; Theater-]
Federico Garcia Lorca: House of Bernarda Alba and Other Plays, PENGUIN GROUP, April 2001 ISBN: 0141185759
Includes the plays "The House of Bernarda Alba", "Yerma", and "Blood Wedding". These plays appeal for freedom and sexual and social equality.
NEW 198X12X128 196 mm x 129 mm x 14 mm
[KW: FICTION, PAPERBACK (ALL)]
Kebaya, Charles: Federico Garcia Lorca's Subversive Theatre A case of Blood Wedding and Yerma, LAP LAMBERT ACADEMIC PUBLISHING, Dezember 2011, Besorgungstitel - vorauss. Lieferzeit 3-5 Tage. ISBN: 3846590118
FEDERICO GARCIA LORCA'S SUBVERSIVE THEATRE interrogates how the playwright employs subversion as a theatrical tool not only to foreground but also articulate social realities, challenge extant theatrical ideals and in the process, clamour for social change. Consequently, the present study examines Lorca's theatre using two of his plays that constitute the rural trilogy: Blood Wedding and Yerma. Using Psychoanalysis and Deconstruction theories, a close textual reading and analyses of the two plays is carried out. The study explores various issues in Lorca's theatre such as the conceptualization of his theatre, the use of Mithexis as opposed to mimesis, tragic heros and heroines as rebels, stylistic subversion, social subversion, the metaphor of time and binarism. Therefore, the text contributes immensely to the understanding of Lorca's theatre and is a significant intervention in the study of drama and theatre.
NEUBUCH! Aufl. 2011. 324 S. 220 mm x 150 mm x 19 mm
Federico Garcia Lorca: Lorca Plays, METHUEN DRAMA, September 2003 ISBN: 0413157806
BR These three tragedies were written at the height if Lorca's powers and display his innovative mix of Spanish popular tradition and modern dramatic technique. Blood Wedding tells the story of a couple drawn irresistibly together in the face of an arranged marriage; Dona Rosita the Spinster follows the appalling fate of a young woman beguiled into the expectation of marriage and left stranded for a lifetime whilst Yerma is possibly Lorca's harshest play following a woman's Herculean struggle against the curse of infertility. Set in and around his home territory, Granada, the plays return again and again to the lives of passionate individuals, particularly women, trapped by the social conventions of narrow peasant communities. The plays appear here in new playable translations.
NEW 198X8X129 197 mm x 130 mm x 18 mm
[KW: Drama / General]